@import url("css/sheet1.css");
item2
Home
Programme
Membership
Location
BRADFORD ON AVON FILM SOCIETY

©2012 Bradford on Avon Film Society

Email us

Designed by eberlin

Home | Programme | Membership | Location

Image Credits and Thanks

Copyright in all film clips is held by the producers and distributors and is gratefully acknowledged.
Other images etc. were either created specially or taken from apparently copyright-free sections of the Web. If any infringe your copyright please let us know and we will remove the offender at once!

My Afternoons with Margueritte
Best viewed with a baguette and a Bordeaux, and while wearing a beret, Jean Becker's "My Afternoons With Margueritte" is French feel-good filmmaking to the max. Yet a heaping pile of cliches doesn't prevent this touchingly simplistic tale -- about a fiftysomething knucklehead who encounters the titular senior on a park bench and learns some valuable lessons about life and literature -- from exuding a strong and universal emotional appeal, backed by Gerard Depardieu's finely tuned performance as a dungaree-wearing ogre with a heart.

Adapted from a novel by Becker and Jean-Loup Dabadie (a frequent collaborator of the late Claude Sautet), the pic follows the travails of kindhearted lug Germain (Depardieu), who's been so traumatized by his mother (Claire Maurier) that, as foretold via a series of Dickensian flashbacks, he's never amounted to much in life. But when Germain meets retiree Margueritte (Gisele Casadesus, "Palais royal") on a park bench, she begins to teach him about the wonders of French literature, reading aloud from the works of Camus and Romain Gary, and imparting to him the gift of knowledge, along with a much-needed boost of self-confidence.

There's something innately moving, and ultimately inspiring, about watching a man, with the help of a good book, climb out of the hole of ignorance and malice he was raised in. Only an actor as seasoned and talented as Depardieu could make some of the pic's more cringe-worthy scenes (such as a quasi-surreal one in which, for several long minutes, Germain reads passages from the dictionary to his cat) play out rather well, and he's abetted by 96-year old Casadesus' smart performance.

Like much of Becker's other work, the pic is directed in an airy, highly classical manner, showcasing the strong performances rather than any sort of cinematic bravura. Widescreen lensing by Arthur Cloquet is bare-bones and efficient, while things are generally well paced, aside from a rushed ending that comes fairly close to erasing the virtues of all that preceded it.

The French-language title, La tête en friche, refers to an uncultured individual, and in agricultural terms, "en friche" can mean an uncultivated plot of land -- a reference to a simple mind, like Germain's, that's ripe for planting.

From a review by Jordan Mintzer, Variety Magazine

Logon
9th December 2011

< Previous film

Next film >

Gérard Depardieu
Germain

Gisèle Casadesus
Margueritte

Maurane
Gisele

Patrick Bouchitey
Landremont

Cast list